What does broadcast quality mean

Theatrical exhibition and TV in people's homes hasn't changed much because it's hard to change every projection facility or television receiver in the world. It's much easier to change the handycam in your backpack, though, so the handycams have, to a great extent, caught up. The explosive growth of microelectronics is obviously a massive influence on this.

Whatever the cause, though, the relationship between types of production and the technology they use used to be fairly linear, especially back in the days when you shot 8mm at home, 16mm at work, and 35mm for theatrical release, and quality was directly linked to the size of the frame. To some extent, of course, that relationship remains.

Few people will shoot their childrens' birthday party with an F65, and it's unlikely that the next superhero blockbuster will be shot on a Canon 5D. But there's now a huge middle ground, bigger than ever before, in which it's not inconceivable that cameras like the C might end up on anything from low-budget shorts to much wealthier TV shows, documentaries, corporates, features, wedding videos, or almost any genre you could name.

I guess we'll all have to learn how to light, and differentiate ourselves on that, eh? Tags: Business Opinion. RedShark is a multiplatform online publication for anyone with an interest in moving image technology and craft.

With over 50 contributors worldwide, full-time developers, editorial, sales and marketing staff, it is the go-to site for informed opinion and know-how for the quickly changing video, film and content creation industries. What does broadcast quality mean, these days? In order to make your records sit comfortably alongside commercial material, level-wise, you also need to ensure the finished audio file is polished with a little mastering-style processing, a subject that has been covered many times in the pages of SOS.

You will find a wealth of useful material on our web site. At its most basic, mix processing often means applying a little low-ratio, low-threshold compression to the mix to squash it down by just a few decibels, and also limiting the peaks to claw back an extra two or three dBs of level. You may also need to EQ the final mix prior to limiting it to make it sound more like a commercial record but that's an artistic decision. My best advice here is not to overdo any mix processing, and play your mix alongside some commercial CDs to see how they stack up.

In many instances, they will be able to guide you. Professional voice actors invest in top-notch recording equipment and editing software. They will take care of breathing sounds, incomprehensible audio, ambient room noise, and such almost instinctively.

You are, however, entitled to expect what it stands for from every voice actor you work with. Your email address will not be published. Reply 0. And of course having your lead vocal be as strong and solid as possible is essential.

Be patient. Everybody wants to record things quickly during fits of inspiration. But few of us are like Prince, who could do that and still have the quality be exceptional. Watch out for distortion. If you see your fader going into the Red, back it off! Again, taking the time to get this right will pay dividends.