How does jerry know

Seinfeld is still one of the most beloved sitcoms of all time, to the point that Netflix spent millions of dollars for the rights to stream the entire series, even doing an aggressive marketing campaign to tell people where to find Jerry, George, Elaine, and Kramer on their Rokus and Fire Sticks.

The show is, once again, out for the first time now. Seinfeld has endured despite being very dated with its numerous era-appropriate references and idiosyncratic, highly personal storytelling. Jerry the observer, the righteous anger of George, status obsessed social climbing Elaine and the chaos of Kramer. The Id doing whatever it wants. I think everybody struggles with those four feelings and bringing them together is how you create a human being. But there is one character we have not talked about.

Maybe the most important character on Seinfeld , the city of New York. I think 30 Rock followed that tradition. New York is a character on 30 Rock.

Jonah: Where else are you going to have a storyline that involves a subway hero? With that, the moment is lost. Jerry, Elaine, George, and Kramer all prove that they learned nothing over the tenure of the show when they go to court for failing to help a carjacking victim.

Fans hated the storyline and the writers got plenty of criticism for the cynical nature of the ending. If there was a season of Seinfeld that really went the extra mile in terms of full-fledged character development, it was season three.

This was especially true for Elaine, who started to drift away from being the voice of reason to acting just as selfish and odd as the remainder of the group. Season three not only fleshed Elaine out as an individual, but as a former partner to Jerry, as well. The season contains what is arguably the best exploration of their dynamic: "The Pen.

After taking some pain medication, Elaine becomes a hazy mess and spews some of Seinfeld's most memorable quotes. The fourth season of Seinfeld is highly-regarded. Furthermore, the quartet of actors was each nominated for an Emmy, including Louis-Dreyfus and Seinfeld. While this season's central arc of Jerry and George pitching a sitcom about "nothing" is iconic, it doesn't leave much room for Elaine.

This time, they lose George, speeding ahead in his car, en route to the home of a boy in a plastic bubble. Seinfeld 's fifth season had two episodes that shed further light on Jerry and Elaine's relationship, and the premiere "The Mango" is the most significant. The group discusses "faking" in bed.

At this point, Elaine informs Jerry that she "faked" with him every time. This episode is significant because it puts Elaine and Jerry back in the same bed for the first time since the series' second season.

The season's thirteenth episode, "The Dinner Party," was a more fun analysis of their dynamic. Jerry and Elaine are stuck in a bakery line, ticket in hand. With every episode now available on demand, why waste time watching highlights? Is the final episode of Seinfeld really that bad? They get what they deserve!

But upon rewatching, you realize that, yeah, it is that bad. All you need to know about this late-period episode is that most of the characters end up in the dump, and they deserve to be there. Elaine and Mr. That flawed premise led to 22 minutes with little more than frictionless dialogue. There was some decent physical comedy between Jerry and the offscreen canine Farfel, though.

If only the rest of the episode delivered on this visual punch. Who is Susie? The story works best as an extended setup for the supersize L. The rest of the episode focuses on Jerry not wanting Elaine to move into his building. Elsewhere, Jerry and Elaine scheming to break up a married couple falls somewhere between diabolical and boring, and George is just around. This episode also marks the introduction of Jerry as an obsessive neat freak.

Saving this from a lower ranking is George attempting to please his boss, Mr. Wilhem, by accomplishing a task without ever actually understanding what the task is. He pulls it off, too. Ah, the Festivus episode, an amazing concept in an episode that, quite frankly, needed more Festivus. Also: manure, George? We get a taste of how cruel Elaine can be as a romantic partner when she breaks up with an older boyfriend after he has a stroke. The grand unveiling of The Kramer , the painting that has lived on as a dorm-room-poster staple.

The introduction of the hygiene-challenged cook Poppie, who does more damage later in the series. This episode marks the first time Jerry rejects a romantic interest for a questionable reason. In this case, she likes Dockers commercials. Jerry literally kills someone by making him laugh too hard — dark stuff. George being corrected after using the term midget is a rare moment of political correctness for the show.